Saatchi's Stuart
In May Mr. Saatchi, famed for spotting young unknowns and turning them into art-world superstars, created a section on his Web site for artists of all ages to post their work at no charge. It is called Your Gallery, and now boasts contributions by about 20,700 artists, including 2,000 pieces of video art.
Everything there is for sale, with neither the buyer nor the seller paying a cent to any dealer or other middleman. About 800 new artists have been signing up each week.
And since Stuart (shorthand for “student art”) went online last month, some 1,300 students (including 450 in the United States) have created Web pages there. No one vets the quality or style of the art.
Interesting. Check it out.
From the NYTimes. Might be wise to check in with Stuart once the Times’ traffic has died off a little — it was a slooooow load this morning.
Posted by Giles, Monday, December 18, 2006, at 9:50 AM.
Posted to Art | Books, design, art | Design | Whatever
Ode: Challenging
Latest from Vertical:
Cover design by Chip Kidd. He’d just started work with them when I met him many moons back, and was genuinely excited about it — glad to see the collaboration continues to flourish.
And an interesting cover it is. Two different fonts, so close to one another, yet different. Spacing that doesn’t, at first glance, have alignment. A sliding slipjacket for the title. Like a good deal of Chip’s stuff, it pushes the boundaries — and begs examination.
The Toon Zone had more to say about the book and design. Here’s a highlight:
Vertical would earn kudos simply for bringing such a challenging and uncommercial project to press, but their edition of Ode to Kirihito is exemplary. Vertical presents the work in “flipped” format to allow for a left-to-right reading style more familiar to Western eyes and commissioned an excellent translation by Camellia Nieh. Normally, the binding isn’t something that calls attention to itself in a book, but it proves to be exceptionally noteworthy when the book is 800+ pages and is still easy to open and read. The only criticism of the book’s design comes from designer Chip Kidd’s use of a separate half-sleeve on the cover, similar to the colored bands he used on Vertical’s Buddha hardcovers or the half a dust jacket on DC’s Batman: Year One deluxe hardcover. These design elements may look wonderful on a desk but are often far more trouble than they’re worth in bookstores or on bookshelves. However, the one on Ode to Kirihito isn’t quite as fragile as those on Kidd’s earlier books, and also serves an interesting artistic function as it slides back and forth on the cover.
Someone else is challenged, it would seem…! What do you think? Leave a comment.
Posted by Giles, Thursday, December 7, 2006, at 10:04 AM.
Posted to Art | Book design | Books, design, art | Type and typography
Masters of American Comics
“Masters of American Comics” is a landmark and a pleasure. For many people, I suspect, it will be a revelation too.
[…T]he show shouldn’t be missed. It spotlights artists like Chris Ware and Gary Panter, amazing state-of-the-art talents and endearing in the tradition of all those shy, gifted kids who drew endlessly in their rooms when other kids wouldn’t play with them, dreaming about someday telling the world, “I told you so.”
Ahh, to be in NYC. The Times has more.
Posted by Giles, Saturday, October 14, 2006, at 9:31 PM.
Posted to Art | Books, design, art | Design | Whatever
Artdaily.com on Books
Book lovers and aesthetes alike will often cite the material qualities of a book, the cloth covers, glossy pages, rough or gilded edges, or the personal touch that one can experience through a book’s design — even more than a book’s contents — as the basis for the medium’s lasting significance in contemporary society. These characteristics add up to the overall significance of a book as an object to behold, rather than simply a source of information, something appreciated by artists and readers since the first illuminated manuscript was published over ten centuries ago.
From “the first art newspaper on the net,” Off the Shelf: New Forms in Contemporary Artists’ Books. Cool.
Posted by Giles, Friday, September 22, 2006, at 3:59 PM.
Posted to Art | Book and design blogs | Book design | Books, design, art | Libraries
"Red-Hot and Filthy Library Smut"
By “library smut” I am in no way referring to the photo books on native peoples, or the illustrated health manuals, or any of the other volumes which, in your childhood, you lurked about the library aisle to find with the sole purpose of sneaking guilty glances at naked bodies. Nor am I referring to the “risqué” novels by Miller, Cleland, Réage, or Lawrence you leafed impatiently through as a teenager. No. What I’m talking about here is the full-frontal objectification of the library itself. Oh yeah.
Only one word from here: Wow.
Check out the rest of the models here. Enjoy!
Posted by Giles, Thursday, September 7, 2006, at 12:50 PM.
Posted to Books, design, art | Libraries | Whatever
"They Blog"
Kathy writes:
I’m building a blog that’s going to be a simple “Q&A with bloggers”. It’s called They Blog. I feel there are a lot of great blogs out there and I think a lot of readers (and bloggers) out there want to know the writers behind the blogs. I’d like to start with some of my personal favorites and I really hope you’ll take part!
Absolutely! Delighted — it’s a great idea — and more than a little flattered. Thank you.
Read Foreword’s Q&A here.
Posted by Giles, Friday, September 1, 2006, at 12:49 AM.
Posted to Book and design blogs | Book people | Books, design, art | Personal
Arranging Books by Color
Rob writes, over at Design Observer:
I have never found the Dewey Decimal Classification system to be an accurate reflection of how books are organized in my own mind — or anybody else’s for that matter. Certainly I understand the DDC’s advantages when when it comes to large-scale collections, but if how we choose to organize our personal effects says something about who we are, then an arbitrary numeric system says very little about me.
[…]
Recently, I stopped by a design studio in my building called Thumb to see my friend Luke Bulman. He’d just reorganized his books by color, and I asked him why he did it. A few reasons that resonated with me, and helped to illuminate his logic.
Read the rest — an interesting post indeed.
Here in my office and library, books are organized according to subject, but not with any recognizable system. Type books are together, books about book design are together, then books about types of art, etc. It is, as Rob suggests, organized according to the way that works best for the user — me.
How are your books arranged?
Those of you with good memories will remember one subject of Rob’s post being mentioned here on Foreword back in 2004.
Posted by Giles, Wednesday, August 30, 2006, at 9:45 AM.
Posted to Book and design blogs | Books | Books, design, art | Libraries | Whatever
Yet Another Personal Post: Why, #12
A client said something to me the other day that I hadn’t expected — and welcomed gratefully:
Giles … you nailed [this cover]. I didn’t expect to come home tonight and
find this gift. I’m downright excited about it.
Gift. Few things have made me feel as good about the work I’ve been doing recently, and emails like that are exactly the reason I’m a freelancer doing what I love, rather than sacrificing standards or autonomy to work at a firm or — gasp — publisher.
As most of you know, 2006 has not been an easy year; divorce aside, too many ospreydesign-related items have been started and not enough finished. A good chunk of that is because I always put my stuff at the bottom of the “to do” list, but I’d honestly rather do book covers than web site updates any day.
Thankfully, the quality of my book design continues to improve as I learn — from you, Foreword’s readers, from my fellow book designers, and from photographers. This is especially important to me; understanding the components I use most in book cover design is vital to where I want to go professionally.
So, a big thank you for your help — and patience — this year.
As a stop-gap measure ahead of the updated main site, which is still waiting on a related project (that’s been suffering delay after delay, grrrrr) before the almost-completed redesign can be finalized, I’ve updated the gallery with eleven new items. Most have been posted before, here or on Flickr, but some are new to all. Hope you like.
Posted by Giles, Wednesday, August 23, 2006, at 8:06 PM.
Posted to Book cover photography | Book design | Books, design, art | Flickr | Personal | Photography | Site news | Whatever
In the Drink: HC, PB, and Something I Don't Do Well
Bumped into this title today:
I like it. It’s not great, but it’s eye-catching, almost there. The changes I’d make are all tweaks (I’m strongly dislike the author/novel font choice, for instance), and all on the periphery — the title treatment is perfect.
This cover represents something I don’t do well. It caused some reflection and a reminder to work on being better at the “style” this represents, especially in the subtlety of the background.
As designers, we all have our strengths and weaknesses. One of my biggest strengths, different, dynamic, or dramatic photography, can also be a weakness — in that I think of that sort of photography first, sometimes negating a simple solution like the one above, which, with the aforementioned tweaking, could be very good indeed.
The hardcover for this title goes in a completely different direction, more “photographic,” playing to the novel’s New York setting:
Again, I have font reservations, but although I’d make changes, the “style” is more in line with how I’d approach this cover. But is it “better?”
It’s a fine line between playing to your strengths and falling into the trap also known as “having a style.” Or is that okay, as long as the versatility to produce different styles well — and appropriately, as in when a book deserves it, instead of “forcing” your style — enough?
Thoughts as I stare at two different projects stuck on the desk for far too long, suffering from cliché hell.
Posted by Giles, Thursday, August 10, 2006, at 10:59 AM.
Posted to Book cover photography | Book design | Books, design, art | Personal | Photography | Whatever
Second Part of Paul Buckley Interview Up
…over at Hear, Hear. Tons of great insights and stories behind covers — including some frank talk, mind the youngins — with this wonderful Penguin designer and art director.
Check out his office, too:
Always like to see someone’s office. Neat offices scare me — glad to see one that looks worked in.…
Enjoy!
Special kudos to Hear, Hear for publishing this great interview. Thank you!
Posted by Giles, Friday, July 21, 2006, at 12:41 PM.
Posted to Book design | Books, design, art | Design | Publishing | Type and typography
Artists I Love Tonight
Craig Hamilton. I’ve been fortunate to work together with and, more importantly, learn from this amazing comic arts genius (Aquaman is among the many characters he’s worked on), and can’t resist the temptation to post his take on a Peter Pan cover:
It’s for sale, too; alas, my art budget at the moment is about equal to my font budget — which is to say, zero. Good news for someone out there, though.…
Meanwhile, there’s a comment on that page from Michael Bair. Who’s responsible for this:
Oooooooo. In layout, even! Love. Want a big-scale print of that, but it’s not for sale. Just as well.
Click on either illustration for a larger version, more information, and samples from both artists.
Next up on the comic arts front: a history. Too much I don’t know about an area of design with pretty astonishing depth.
Need more time to feed these obsessions. The curse of the curious, someone once told me. I’m sure I’m cursed daily on all sorts of fronts, so adding another to the list doesn’t seem so bad.…
Posted by Giles, Thursday, June 15, 2006, at 12:40 AM.
Posted to Art | Book design | Book people | Books | Books, design, art | Personal
BEA Podcasts Available
If you weren’t able to attend BookExpo America 2006 in Washington DC this year, we now have a valuable FREE service from the show — Podcasts from BEA.
We have recorded approximately 24 of the favorite events and sessions and will release them as podcasts over the next couple of months.
Plus, our roving reporter has captured some special interviews in his quest to find out “What’s the Buzz” at BEA this year.
Please visit www.bookexpocast.com where you can subscribe to our podcast by email, iTunes or other popular podcast software. We also have a complete list of our scheduled podcast events under “Upcoming Podcasts” on the site.
I’ve spoken with a couple of people who went to BEA this year; both said it was “underwhelming” and “not as busy as usual.” Anyone else want to venture an opinion?
Posted by Giles, Tuesday, June 6, 2006, at 12:40 PM.
Posted to Book design | Book people | Book sellers | Books | Books, design, art | Business | Jobs | Publishing
On Photography and the Canon Digital Rebel XT, Part 1
Phew: Survived. The last six weeks have been out-of-control busy, in case you couldn’t tell by the lack of posting (or comment moderation). Why? Well, six book covers (including the two Bush covers I’ve posted about), two magazine ads, a new edition of a 56-page catalog, and 100+ hours into this POD project I yapped about a few days ago now. Speaking of which, I’m starting with this because it’s fresh on my mind, then will work my way backwards through my list of once-intended posts over the next few days.
This post is a little off-topic for a book design blog, but I’m posting it for two reasons: One, uh, well, I can. Great thing about blogs — built-in soapbox…;)
Two, some of our “regular” readers might be interested either in this particular camera and how it worked (and didn’t work) for me in a very demanding test, or might be thinking about professional protography and are interested in the opinion of what amounts to an amateur shooting his first wedding — with a camera he’d used for only a few hours, didn’t have a manual or more than one effective (in my hands) lens for, and who undertook this project more than a little ragged after weeks of eighteen-plus-hour days.
Am I glad I did it? Yes. Absolutely, emphatically yes. I learned more about the hoops necessary to do this effectively than a thousand lectures from the best professionals in the world could have given; got to gift a good friend with more than a thousand photographs of his bachelor party, rehearsal dinner, wedding, reception, and a kickin’ party afterwards; and find out under the most grueling conditions possible whether a certain camera system will work for me before I put down the investment.
Couple of notes before I get the review proper underway: Product reviews are not my forté, so I’m hoping you’ll forgive a bit of a haphazard style. I’m going to give you good and bad, followed by a sample gallery of photos, posted through my Flickr account. Some photos are straight out of the Rebel XT (or my current Sony f828), some are altered in Photoshop. No matter what, it’s my opinion. There are Canon vs. Nikon wars aplenty; we don’t need one here. I’m not qualified to speak with authority on anything other than how I feel about this camera equipment, relative to what I have now, as someone serious about taking the step from “amateur” to “professional” photography. (I’ll explain that better, too.)
Continue reading "On Photography and the Canon Digital Rebel XT, Part 1"
Posted by Giles, Monday, May 22, 2006, at 4:24 AM.
Posted to Book cover photography | Book design | Books, design, art | Business | Computers | Flickr | Personal | Photography | Site news | Technology | Writing
Preserved for Posterity
Found myself downright barking at a professional photographer tonight who had argued that restricting access to her work online was better than dealing with a few people out to cause trouble. I felt kinda bad afterwards; I was perhaps a little harsh. (Who? Me?)
I’m not a professional photographer, in the sense that I earn a living exclusively selling photographs, but I do sell photos, deal with photographers’ rights, and sell a creative, copyrighted or work-for-hire product/service that, while not as easily “stolen for use elsewhere,” is subject to a good deal of competition. Above-board, honest people and grab-your-ideas-and-undersell-you-later types alike.
Pushing your work farther and farther out into the world instead of walling it off clearly works. Foreword is my evidence.
Click through to Flickr and look at all the little notes by moving your mouse over the boxes on the photo. They’ll run you through all the stuff in the picture, including the icons, menu items, etc. (Warning: geek alert…;)
Sure, there are hassles. (Looking at new web servers [hosts] this week, for instance, so we can rebuild pages in the middle of the day without timeouts. You wondered why so few mid-day posts…?) It’s definitely a challenge to post regularly with the quality we’d all like to see — and that keeps traffic growing. Oh, and have I mentioned there’s still the rest of the web site to finish?
But it’s so worth it. Glad we can be here together, learning about book design. Whether it’s your first visit or your thousandth, thanks for coming by.
Posted by Giles, Monday, April 10, 2006, at 5:51 AM.
Posted to Book and design blogs | Book cover photography | Book design | Books, design, art | Business | Computers | Design | Ethics | Flickr | Freedoms and rights | Jobs | Love | Personal | Photography | Public domain | Publishing | Site news | Technology | Type and typography | Whatever | Writing
Bookslut: Kidd Awkward, Indifferent
But somehow the book winds up with something resembling a positive review:
This awkwardly designed, slippery slab of a book, with a half-split cover and the wingspan of a raven, is a physical ordeal to hold and to read. But it’s a rewarding ordeal. Containing nearly 400 pages of book jacket designs by Chip Kidd, one of the pre-eminent designers of our time, Chip Kidd: Book One is an exhilarating chronicle of how one creative mind can transform a moribund art form merely by taking a slightly sidewise approach to its hidebound conventions.
[…] Kidd’s secret? One of them, at least, is that, as he relates in the accompanying copy, he actually reads the books he’s assigned, from beginning to end; the reason he’s not irritatingly literal is that he’s gratifyingly literate, as the encomiums from some of “his” authors included in this book would indicate. Even John Updike himself contributes a fine introductory essay. It’s too bad, then, that the rest of the book is indifferently written (by Kidd himself) and horribly copy-edited — “loathe” instead of “loath,” “it’s” instead of “its,” “premiere” instead of “premier,” and “who’s” instead of “whose,” to cite just four depressing examples. But if you can look past that and, ironically, this book’s own uncomfortable layout, Book One is a treasury of brilliant book design.
Posted by Giles, Thursday, April 6, 2006, at 12:00 PM.
Posted to Book and design blogs | Book design | Book people | Books | Books, design, art | Writing
Bookmarkable: BibioOdyssey
Via BoingBoing comes this fascinating look at books, illustrations, science and history — including lots and lots of historic photos and illustrations, great reading, and tidbits like this:
A History of Color Systems. The above illustration is by Philipp Otto Runge, from 1810, for instance; the text includes ten other historical illustrations and several other reference sources. Very cool.
Check it out.
Posted by Giles, Friday, March 31, 2006, at 2:04 PM.
Posted to Art | Book and design blogs | Books | Books, design, art | Design | Printing | Publishing | Type and typography | Whatever
Anybody in Vancouver?
Here’s an event if you are:
Glenn Goluska trains three decades of experience on his upcoming lecture Lead, Wood, and Laser: 30 Years of the Book, Design & Typography. Cosponsored by the Alcuin Society and host venue the Vancouver Museum, this 7 p.m. event next Thursday (March 30) should touch on Goluska’s stints at groundbreaking Toronto publisher Coach House Press, at the Canadian Centre for Architecture, where he designed exhibition catalogues and posters, and at Imprimerie Dromadaire, which Goluska has run off and on since 1975. As if that weren’t enough, The Elements of Typographic Style guru Robert Bringhurst introduces. To reserve, call 604-734-7368.
Posted by Giles, Thursday, March 23, 2006, at 4:28 PM.
Posted to Book design | Book people | Books, design, art | Publishing | Type and typography
BEA Reminder
Email from Book Expo America today reminding us that this years’ show is May 19-21. Anybody know if they’re going yet? (I don’t plan to, but.…)
Posted by Giles, Wednesday, February 22, 2006, at 2:45 PM.
Posted to Books | Books, design, art | Business | Jobs | Publishing
50 Books/50 Covers of 2005
Speaking of AIGA and people like Rodrigo reminds me:
Entries close March 3rd. Here’s this year’s jury:
- Nola Burger, University of California Press, Los Angeles
- Michael Carabetta, Chronicle Books, San Francisco (chair)
- John Gall, Vintage Books, New York
- Kevin Lippert, Princeton Architectural Press, New York
- Kristen Nobles, Candlewick Press, Boston
Anybody going to enter? Leave a comment!
Posted by Giles, Friday, February 17, 2006, at 1:15 PM.
Posted to Book design | Book prizes | Books, design, art | Business
Foreword: Connecting Point
Kelly Evans writes:
As I was searching for a cover designer for hackoff.com, I spent a good deal of time on your site. It inspired me and led me to the AIGA website where I found our designer. Long story short, I am just thrilled with the job our designer Rodrigo Corral did!
So I just wanted to email and say thank you so much!
Yeah, that Rodrigo Corral.
The newspaper “look” is tough. (I’ve yet to do one I like, for instance.) This one’s nice when cropped — the ink treatment in the author box is a deft touch — but looks especially good when you can see the whole jacket:
Kelly, it’s our pleasure to have those resources and to be able to help you make those connections with the book design professionals you need. Thank you.
Posted by Giles, Friday, February 17, 2006, at 12:55 PM.
Posted to Advertising | Book and design blogs | Book design | Books, design, art | Business | Design | Publishing | Site news
Yummy
Dare I say, delicious?
Like the balance of “worn” and “modern” especially, and it’s a beautiful photograph. John Granen took that photo; Kate Basart designed and art directed it. Nicely done.
Don’t forget the Spring is Near thread below to add more…! Thanks.
Posted by Giles, Thursday, February 16, 2006, at 1:26 PM.
Posted to Book cover photography | Book design | Books, design, art | Type and typography
Book Design and the Spirit of Magritte
Karl Baden writes:
The book exhibition La Culture des Idées: Book design and the spirit of Magritte is currently on display through March 19, 2006, in the atrium of Bapst Art Library, on the campus of Boston College.
These are not Magrittes; the book covers in this exhibition are inspired by him, and appropriate his imagery. If imitation is the sincerest form of flattery, Magritte might be said to be one of the most flattered of artists. The skeptical Walloon undoubtedly would have had something to say on this topic, however.
René Magritte (1898-1967) was the most important Belgian Surrealist; he transcends his national origins, and has become an artist of the world. His art was dedicated to the freedom of thought, and continues to have broad appeal to artists and members of the public who delight in the aesthetics of surprise. At the conclusion of his 1928 novel of mad love, Nadja, André Breton defined the essential quality of Surrealist art as “convulsive beauty” – “Beauty will be convulsive, or it will not be at all.”
The exhibition is free and open to the public — if you’re in or near Boston, enjoy!
Thanks, Karl.
Posted by Giles, Wednesday, February 15, 2006, at 3:55 PM.
Posted to Book design | Book people | Book prizes | Books, design, art | Photography | Publishing
Thanks, Joe
Coming soon to Foreword: three, perhaps four new covers for David Foster Wallace’s Consider the Lobster, courtesy of some guy from Hustler, WI. (Okay, perhaps that’s not the best reference for the quality of his work…;)
One word: fantastic.
In the meantime, enjoy this beautiful, beautiful cover:
…and go over and get the great context Joe’s put it in. Nicely done. (Check out the American Purgatorio cover, too — lovely.)
Posted by Giles, Friday, January 27, 2006, at 11:29 AM.
Posted to Book and design blogs | Book design | Books | Books, design, art | Site news
"Creative Nonfiction"
Had an interesting conversation with someone yesterday about creative nonfiction, a category of literature I didn’t even know about. We were discussing it because of this:
The person I was speaking with specifially mentioned that Oprah had stood behind it, but I noticed in this morning’s NYTimes that she “rebuked” the author and kicked him out of the book club. Heh.
And the cover? Well, let’s say I didn’t need the Times to tell me someone needed a rebuke…! “The sticker’s an improvement,” I can hear someone saying. Newsflash: not for long.
A customer on Amazon left an image of this title as an alternate — and I like the cover:
It asks more questions. (A million more? Sorry. Had to go there.) Not perfect, certainly, but gets you thinking about what’s inside — an excellent measure of “success” in my book.
We have this second cover to think about because someone left a comment on Amazon. Been a good trend here recently, too. Thanks.
Posted by Giles, Friday, January 27, 2006, at 10:40 AM.
Posted to Art | Book design | Book people | Book prizes | Books | Books, design, art | Ethics | Freedoms and rights | Writing
"Designers are in an explosive mood."
“Product designers are showing their angst,” the headline says, backed up by “Protests against war and politics are showing up in graphic arts and design.”
More:
Murray Moss, a New York retailer who serves on the board of the Cooper-Hewitt National Design Museum, says there hasn’t been a period of such fertile creativity since pre-World War I Vienna. That’s when radical expressionist artists shattered established notions of beauty and designers revolutionized their field, too.
Interesting, if perhaps a wee bit hyped. Read on at the Miami Herald.
Posted by Giles, Tuesday, January 24, 2006, at 1:45 AM.
Posted to Advertising | Art | Book design | Books, design, art | Design | Ethics | Freedoms and rights | Personal | Whatever
Widen the Debate
Blatently stolen from Joseph, because it’s such a great question:
Well, this should spur some debate. Would you feel comfortable designing this? Under what circumstances?
Let’s talk about it! Here or there, leave a comment. Thanks.
Posted by Giles, Monday, January 23, 2006, at 11:14 AM.
Posted to Book and design blogs | Book design | Books | Books, design, art | Ethics | Personal | Publishing | Whatever
Surf Those Links
…with Designpedia, from Airbag.
It’s a little web-centric now, but some great stuff nonetheless — please go and add sites you like! (I’ll keep and eye on it, too, and generate a new list for the blogroll (in the left column) before the site is redesigned. As always, suggestions welcome.
Posted by Giles, Sunday, January 22, 2006, at 2:48 PM.
Posted to Art | Book and design blogs | Books, design, art | Computers | Design
Poster, V2
Okay, here you go:
Past even my usual four-something posts; I’ll try to be brief. But I thought you’d appreciate some details.
Ironically, the same day I was on a soapbox about culture, the poster was rejected — for a lack of cultural understanding.
The three artists talking about their work are from India and the Caribbean, areas of the world culturally sensitive to being grouped (generally) with the African culture the mask represented.
Monica and I discussed it a little, and her take — she chose the mask photo, by the way — was that the mask was a “diverse take on comedy/tragedy.” Worked for me at the time, but both Dr. Young-Zook and the “esteemed designer” learned a lesson. I said in one of the comment threads that I’m glad it’s not easy, because it’s more interesting. You also learn more. Case in point.
So, Monica wanted to go back to the panel of fellow doctors, to coin a phrase, with some photo options. I sent her to iStock, where she found a few good potential photos — but I really didn’t want to see something that I’d liked that much go to an iStock photo. I wanted one of my photographs. Thankfully, I knew I had this. I’d just taken it (December 26th, as part of the Ringling Museum photo series that My Life is from) and knew as soon as I’d seen it that I wanted to use it for something.
Non-offensive, it fits both India and the Caribbean — the palm shadow works especially well, I think — but needed, well, work. Five hours later, here we are.
Am I going out on a limb, taking this time for something that could — might very likely be — rejected again? Maybe. But the “panel” will get this developed poster and the two iStock photos undeveloped. Hoping it’s enough to nudge them to using a design based on my photograph, and I enjoyed the exercise. It was worth the time.
And damned if I don’t like it just as much as the first one, for a ton of very different reasons. What do you think? Leave a comment.
Note: In the interests of full disclosure, I wanted everyone to know that I posted a (very) slightly tweaked version Saturday evening.
Posted by Giles, Saturday, January 21, 2006, at 5:21 AM.
Posted to Art | Book people | Books | Books, design, art | Design | Flickr | Personal | Photography | Type and typography
Software Conflict 2.0
On the subject of why we’re all here, here’s a book cover design:
Worked on the interior this afternoon and evening; it’s, finally, almost there — precariously balanced between white space and line height. Need to sleep on it before showing it to the client. The cover, though, was tweaked for the final time a few days ago (hopefully…;) and both the client and I am happy with.
It’s 7.5 x 9.25, by the way — a cool size and an interesting creative challenge. Good call on the publisher’s part.
No where near sleep yet tonight, though. Instead of “creatively lighting” the above, I have other plans for Photoshop: this — and another swipe at the poster.
Posted by Giles, Saturday, January 21, 2006, at 12:06 AM.
Posted to Book design | Books, design, art | Business | Computers | Design | Flickr | Jobs | Technology | Type and typography
Follow-Ups
Trying to break the (bad) habit of posting at four in the morning. Wish me luck…;)
If you haven’t alredy, read yesterday’s entry first. Thanks.
1. The poster went down in flames today. One word: “groupthink.” Monica defended it well, I understand, but that’s the way it goes. They’re going to pick another photo and we’ll try again. (Will save the details for another time, heheh.)
2. Managed to get through the missive last night without mentioning Google. Foreword is the #1 response to a search for book design, with or without quotes. Ahead of Amazon! That’s seriously cool.
That’s also exactly why I’d love to spur more conversation. The description on Google, a community in the service of books and book design, is exactly the purpose. Yes, it’s about me. But it’s also about Todd, Chip, Joseph, J., Amanda, and so many others, past, present, and future. Us. A diverse “community,” in the best sense of the word.
3. I don’t feel the “arrogant American” thing was worded well. I absolutely do not care where you physically work from, what language you grew up speaking, what color you are, or how you live your life. I do care about the quality of your work a great deal, however. And I want to help make it better. Because I learn — we all learn — as part of that process.
No matter who you are or where you’re from, if you’re here, it’s for the same reason I am: to have a greater knowledge and understanding of book design.
When I said “quest for expertise,” I meant “collective quest.” By posting a comment that brings an idea to the table, we all benefit. Good design ideas can, thankfully, transcend cultures — someone, somewhere, will look at that idea, and it will lead to another.
For freelancers in a trade such as book design, the internet is the great equalizer. It no longer matters where you live, only that you know what you’re doing. But that doesn’t remove culture.
Foreword is American-centric because the posters and active commenters are mostly American. I’d love to broaden that — we’d all benefit. Bring something to the table, though. Don’t just ask how to do it. Get involved in how to do it. That’s why we’re all here. Let’s share those ideas.
4. Speaking of sharing, I welcome feedback and ideas for improving how this site actually functions. The redesign includes some improvement in code related to comment moderation and posting, but will mostly be a visual thing. I’m currently going around (and around) regarding “quickie” posts; whether I’d do enough “Hey, this is cool…” posts to justify a third column and the CSS tricks necessary to do that properly. Probably not. Site loading speed’s a consideration, too. Simple code with striking visuals (well, and good posts…;) works best for me.
Now is the best time to talk about it. What would you like to see next? Leave a comment.
Posted by Giles, Thursday, January 19, 2006, at 10:46 PM.
Posted to Art | Book and design blogs | Book cover photography | Book design | Books | Books, design, art | Business | Design | Flickr | Freedoms and rights | Personal | Photography | Publishing | Site news | Whatever | Writing
How do I...? Well, that's the question. Every day.
Been meaning to write this post for a while. It’s a good, mid-life crisis kind of entry. Pull up a chair.
First off, let me apologize — again — for the lack of posting. As I’ve mentioned before and no doubt will again, the past few months have been, shall we say, interesting. In no particular order, I’ve watched my marriage spring a leak, run around entirely, then finally sink into an angry sea; a business that I loved and, for a while, did together with my (former) wife, suddenly get very complicated; moved; been depressed and excited, both about life and work; moved again; rediscovered the joy of photography, Flickr, Photoshop, and, well, how much I suck as a photographer; ran behind in work; caught up; ran behind again; worked too many hours; ate too little; the list goes on. Generally, what was needed to get by and more only when I could get it.
When you’re self-employed or run a business, your personal life is so much more important to the daily goings-on — it’s impossible to take a few days on the employer’s dime to recover (you know what I mean — we’ve all been there). You either produce or you starve.
Perhaps that was on my mind when I named this photograph My Life:
A statue on the grounds of the Ringling Museum of Art in Sarasota, Florida, gets overtaken by and slowly cumbles under the most relentless force of all: nature. His expression seems, I think, appropriately horrified.
Worse, there’s the constant swirl of everyday business pressures, including (the current lack of) health insurance, for instance — and don’t even get me started on the IRS. Been around and around with CPAs and have finally had to hire a tax attorney to sort it all out. I’m an artist, for cryin’ out loud — isn’t there someone who can just tell me what to do and where to sign?
Absolutely. With varying sizes of hands out, depending on how good they are. Just like all of us.
I’m thankful to be on my own, occasional contractor aside. I’ve watched people torn apart ethically and profesionally, and met more than a few for whom the money is more important than the ethics or the professionalism, in the quest to sustain employees. Once you’re a “business,” it’s this whole other thing. Like a child, it can be nurtured or exploited, but just like a child, I think that if you’re going to put it out there, it should be the best it can be. My approach (to either, honestly, which is absolutely why I don’t have kids — yet) demands that I not back down from what I believe in. Employees, like children, people who depend on you, make those beliefs seem less like “lines” and more like “gray areas” that can be tread upon when the payroll’s due (or the shareholders want to know why this year’s profits “aren’t growing sufficiently”). It’s easier to starve yourself for what you believe in any day — and I have respect indeed for those that somehow manage the balance.
Parenthetically, my old boss at “Trop” — another family member, and yes, I have been lacking sanity at times — and I have never really talked about my leaving corporate life to forage on my own. Here it is, Tanya: I think we both know I’m more like Blair (yet another family member — long story) than either of us were comfortable with, or were prepared to admit at the time. But we’ll save the details of “days spent working for [a graphics contractor for] a major juice company” for another post…;)
In my life, right now and for the foreseeable future, I need lines that represent those professional and ethical obligations. I need to make sure that every piece put out there, whether here on the blog (present entry excepted, perhaps), on Flickr, or, especially, in the work that I do, is the best it can be. Even if it means bending over backwards, moving, dealing with attorneys, going without food or sleep, whatever’s necessary to make sure those lines stay sharp. With all the crap going on, though, it’s hard to do in a timely manner.
A couple of clients have bailed because of the delays, reschedulings due to personal problems, and the like; one was comepletely professional, and the other was, well, an asshole. (Ahem. Excuse me. It’s late, and we’re being honest.) Either way, though, I understand and wish them well.
Those clients who have hung tough, though — some of whose projects have come through almost on time, and I haven’t even started on the troubles my iMac has given me this week (and will again next — but that’s yet another post) — have gotten some of my best work. That I haven’t been doing a good job of putting up on the web.
Trying to do better with that. Like the poster. Or this catalog, for instance:
A number of things stand out regarding this photo:
— It represents progress graphically. The Sunshine State Cookbook was relatively early project I did for this client, but the page around it is infinitely more sophististicated. Some of that’s better software (ahem — InDesign? Will post on that and the Quark 7 beta soon), but most of it’s several years of working every moment I could to make myself a better designer. (I didn’t do The Florida Bounty, and while I did do Mastering the Art of Florida Seafood, it’s okay if it’s a little lost off the bottom…;)
— It represents progress, especially, in terms of photographic (and Photoshop) skills. I’ve bitched about my camera’s shortcomings, both here and on Flickr, but the reality is that it does exactly what I need: takes good enough pictures. Some are great out of the box, but most need some Photoshop skills. Flickr’s various groups, especially Photoshop, have really allowed me to explore what others have done and work on doing similar things myself.
The shot of the catalog above is entirely fake, and it’s a fake I’m proud of. The catalog page only exists electronically — and is a draft. (Forgive. A recent bad habit.) But it doesn’t seem right to just post the page anymore; now it’s possible to “throttle” it. The lighting and shadows, the subtle (and hopefully natura